ABOUT

This is a film about Mama Irene, a remarkable 84-year-old woman Shaman (healer) from Peru, drawing upon indigenous knowledge and traditions in danger of being lost forever. Yet her craft is based primarily on her own intuition:

“Spirits have told me in my dreams how to proceed.”

SYNOPSIS

The documentary follows Mama Irene in her everyday life, highlighting her healing methods and passion to serve each patient who knocks on her door: from local women who travel hours or days by foot through the Andes to a medical doctor from India seeking a cure for the illness that Western Medicine had failed to help.

We accompany Mama Irene on ancient spiritual ceremonies such as the Snow Star Festival, where thousands of pilgrims gather in Sinakara Valley high in the Peruvian Andes to honor the local glacier.

The film depicts Mama Irene’s secret healing practices, never before filmed.

Yet this film is not only a vital document of endangered wisdom; it is also a story about Woman empowerment.

AS THE FILM UNFOLDS, WE LEARN ABOUT MAMA IRENE’S PERSONAL JOURNEY.

She discovered her healing gift by chance at three years old, when she intuitively healed a neighbor’s migraines by rubbing her own salvia on his forehead. She became known in the village as El doctor pequeño — the little doctor.

She was sold by her father into slavery; beaten by her husband, who was determined to keep her in the role of servile female; gave birth to 15 children, eight of whom died; endured misogyny and rivalry from male shamans.

Yet Mama Irene never wavered in pursuing her craft. She believed in herself and in the gifts she was born with. This is a story about a woman who overcomes tremendous trauma and obstacles and continues to grow and inspire at age 84.

DIRECTOR’S STATEMENTS

In 2014 I was living in New York City, suffering from debilitating exhaustion. None of the medical specialists I had consulted were able to help. My friend Carl Hyatt, a photographer who has been traveling to Peru for decades, had an idea. He consulted a healer he knew in Cusco, Puma Singona Quispe. Puma in turn consulted his coca leaves:

“Elisabeth has to visit Cusco immediately and work with Mama Irene in ceremony. Otherwise, she will end up in a bad way. "

And so I traveled to Peru. The experience was transformative. I returned to New York City energized and strong. Thus began my journey with Mama Irene.

In 2016, Mama Irene invited me to be her first "Western student." I had the privilege of witnessing her selflessly healing patients with extraordinary wisdom, love and compassion. And although I have been deeply connected with nature all my life, I learned from Mama Irene an entire new dimension on how to live in harmony with Mother Earth and the mountain spirits.

I began to realize that Mama Irene was teaching me secrets she had never shared with anyone, let alone a Westerner. With her blessing, I decided to make this documentary, to share the story of this remarkable woman and her knowledge and wisdom.

— ELISABETH MÖHLMANN, CO-DIRECTOR

CO DIRECTOR’S STATEMENT

It was Elisabeth who did all the shooting in Peru. A last shoot was planned for March 2020: all of us together, in and around Cusco. Covid cancelled this. Thus I began, with my wonderful editor Monika, to edit what we had, Elisabeth assisting. Mama Irene's presence captured us absolutely.

In the end Torsten Bönnhoff, whom I had approached, joined in and became Elisabeth’s partner in this venture – it seems like Mama Irene’s spirit brought us all together to realize this movie. My biggest wish now is to meet her in person. I wish the film an audience interested in the art of healing and in a woman’s passionate approach to life. And I wish Elisabeth much luck in her new career as a filmmaker.

When Elisabeth approached me and asked if I might want to realize a film about Mama Irene together with her, showing me the first material she had already shot, I was immediately taken in by Mama Irene’s youthful charm, her smile forming dimples in her cheeks. And by her strength: She overcame many hardships in a world dominated mostly by men, nevertheless built on feminine wisdom.

Mama Irene, Healer of the Andes, is a true mystic – she turns to Pachamama and to the mountain spirits in her prayers, in her pilgrimages. And the Mountain Gods appear in her dreams and talk back to her, she says, “like normal people”. So I happily participated from afar in Elisabeth’s film project through my eye and ear as a filmmaker and story teller, listening and watching, combining themes and imagining a possible dramaturgy for the film. Our goal was to present Mama Irene’s story to a wider audience, thus paying homage to the thousands of years old Incan healing traditions. Worshipping Pachamama, Mother Earth as the feminine figure of abundance is ever more important in our nowadays world.

— BETTINA EHRHARDT, CO-DIRECTOR

E/0ګ0XePɲdEұؾHNZh0eN/d1BXPsڕtX֫tEdeWdAhZh3XeAұվHvdPPeX2tvHٙXګ10҈ٙXNإ1҈1ٙXּ1ڈزeوڱNإHXHteEؾ/NZe/eЫ0BXPBt3X֫/E҉W0heHdAhZh3XedAd1پHHvBtXdd1teX2X10҈وڥ1ڈHWtdX/NZNв׾/EhZh3Xsh뫱dAȾ1Hvde1eX2tvHوڥ10҈00XE/d0X蜹P֗HNZ1˖/0BXP/hڕX1ڲhزeٙXNڱ10eH/NZվH/BXPPttEPزv1ٙX1زeNوּNإ1HXeٕ2XE/2eҲX/sdd1eȫNeW0heHX֫tEEɾeeeEXeEֲdBتN؈XW/v100e0NXت/؈v0/vVڲX1tvVv؈NXHNز0XHزɾtd/NZ/ثhBXs幫tW˹//dAhZh3X噫0AEعdHHvBtXdd1teX2X1ڈزѼوث10HWtdX/NZҫ1/EhZh3XeNtdAe־HvdsX2tvHٙXȾ10҈ѕور1ȱڲhڲHXPee˝XPղ0dXP1؝XPP/NZՕe//d0BXP˥蝈X1ڈ҈و/AhZh3XEetBAЈPHvdPX2tťWsZڪdAhZh3XeإAtɾHХBXE/sŹXBZūXXW2dEt//vdsPhȝXPPttEPزٙXȾ10҈وګ10҈Ѽو/Hv蝪BeNHv蝱eEAEBɚHEhZh3XN3AhsedɾHZP҈/ٙXե10P҈وڱ10ڲ҈ѕوNر1ڈزوּ1ڲز֝0XE/sXeإګed112eeBPsڕtWXE/tزXsѱŝXW/ehלбXB1زe/ٙXNر1P҈ؼو/ووּ10h҈NٙX/ե1҈ɝHXPEPP1ڲP҈و/ث1ڲزvو/1ڲ҈و/ګ10P҈ɝEPZɹWvXW/vXتvVvXW/vXتvVvXW/vWtdXE/ŜXtNZNX//s؉h0BXPPX1ڈhزٙXNإ1ū҈ٙXե1ڲeH/NZe־/ZղhtBXhXE/seEXN3hؼHNZh/бhBXPN؝X1PزeٙXtAhZh3XAֲBHvdhddX2tvde1eXHvdeپXHvdseshXHvdsPeNXHvdՕNdAhZh3Xֱ0tAڹɈH҉/NZN׾/б0BXB/vdAhZh3X蜹ABɜP־HvdX2tvHٙX/ի1ڲ҈Ѽ0XE/ȕNزXhNNв׾HNZe/eP0BXPBt3XPգPWs٥tdAhZh3XePɲdAhHvdhN0X2t֖HXdڱeձeHٙXڱ1ډ҈ٙXګ1ز҈و1ڥ10҈و/إ1زhزNٙXڪPhXּ10P҈وإ1ڲh҈ѕٙXN1ūزوNر1HvHٙXN//NZ/زPtBXPh1XPXNXP1//NZ2/0BXN/Eի2ѱBPsڕtPز֖ePtteɲdt/֫X0evVvڈe/ڲWXE/2tP0XNNeљ/vEP҈hوإإ1˱҈˝0XE/бhXhheՈEtXdhN0/NZhsedɾ/sBXhXE/sd1NѲXeګe1eȫeNeW0heHX֫tEEedϝs٥tdAhZh3XBұAhPHvde1d3X2tedW0h1ҥtNժXXتvVvXW/vXتvVvXW/vXتvVvtdAhZh3XЗرAN׾H2ګhBXE/1HhXХeҫ1HNZd1پ/hڱ0BXP1/X1زe1وڥ1ڈ҈ٙXNڥ1˖زeورN1ڲ҈eو֝Hv蝪Pڼv蝪PڈزvNو/رNtXHvdsٖAhZh3XehBA˜1HvdɜX2tvHووڱ10ز/0XE/s؉h0XEetBh/vEPزٙXNڱ1ز˝0XE/0XՕhe30噾HNZ0s٫/tزBXsXWٖtXdPWtAhZh3XdAXE/0زXtڝNHHvE/teBP֫PZhdWv؈X1eXW/v0v01Xتڲ/0֝Xت땾W/NZ1ž/ȥtBXB/vHٙX10҈eٙXرּثڥ1˖ڈ҈ؕٙXر1ڈ҈ٙXե1ڈزvو1˫زeوڱ1҈ٙXHXHvdsٖXHvHٙXե1hزNHv蝪PڼXE/0Xe҉BNdtXdhN0ϝedtdAhZh3XhheAձHvdNeBX2tЙϲWP҈h0ٙXر10҈h0HXPBt3WXE/ɾЗիXŝXW/ehלeeXB1زe/ور1P҈ؼٙXإ1زٙXȾtϝetdt/Pز/وګ10زٙXګ1ڲ҈eو1ڲز/ٙXtPhWtvE2t/֫X0N/vVv؈X1ڈeXW/v0زWtdXE/2ګhXtNZ1Кپ/sP؈BXE/б0svBP211˝H֖/dX/NZhP/20PN0BXE/ZЙh҈XE/HhdeXshؕeHNZNe1/ѕ2ղBXPP/XdȫEdtedWseHd/NZPվѕ/etBXE/ZЙh҈XE/VXhձh2tHNZ2tH/tŗղ0BXhhŹhZh3XNBABHvdȥ0X2tNڥhXdڱeձeddEЙhWtvޝetdt/H֖֕XHvPXE/20PN0XҥsdshHvEeѥE/իeڱWPeHvHٙX/tϝshHdAhZh3XhٝANe1Hvdȥ0X2tNڥhXdűd3XP別՝BXP/AhZh3XڈXA2tHHvdȥ0X2tNڥhXdڱeձeHو1ر1ڲ҈eو/ر1زؼٙXե1ڈزNٙXإ10h҈1ٙXإ1؈҈ٙXڱ1hزvو11ڲHtdX2/vdڱeձeHٙX10҈eو/ر1h҈eو1ڈ҈ٙXإ1ڲh҈1ٙXإ1ڈ҈ٙXڱ1h҈و1ּ10HtvNڥhXdڱeձeHٙXإ1ڈزٙXե10҈ٙXե1؈زvوڱ1ڲHtdX2/vdڱeձeHٙXإ1ڈزٙXե1ڲزvو1ڈزvوڱ10HtvњWXE/etXdsvŝXddEЙX2X1ڲPزvٙXձ1زh҈eٙXګ1҈1ٙXڱ1ڈ҈e/HdX/NZh2t/EhZh3XիAEd0HZЙh҈BXE/ѕ2ղXeEȲshHvEڕѥE/ٖeڱWPڲHvHٙXHϝshHdAhZh3XҥsdA3eȫeHHvBPP2e˝EP҈eو/إ1ڈزNو/ر10PزvٙXڥ1ززؼHdX/NZe/EhZh3X0ұvAPվѕHvdЉX2thPd0tXHوe˝HXtϝshHdAhZh3XeEȲAٲ/HvdE0X0X10HXPP2e˝X1HXPP//NZWs֥/s0BXtNZPؕž/seeBXsXWљW˹//dXE/˫sXtNZ1NՈ/d3hBXPseXPPtXdNePȲd/XedEdBتزvN0d//vVvزX0ؼhWXE/2h0ՈXҲVЫd1PHvE2hɕW0h1HdAhZh3XPڲvAHed嫝B1ززٙXڱ10҈Pو1وeٙXر10҈ؕٙXر1ڈزٙXե10҈ٙXڥ1ڲh҈وڥ10HWXE/dH0X˱ŝٖtXdWtAhZh3XtdЕAXE/б0Xњt1V׾HNZ1إP/0BXP211XP/dB10زvو/إ1ڈ҈eٙXڱ1҈ٙXث1ډ҈֝HX10PزvٙXث10҈و/1ڲ҈ٙXګ10Pز1HX1ڈ҈eو/ڱ1ڲز˝HX10P҈ٙXث10҈و/1ڲ҈و/1ڈ҈ٙXګ1ززv֝HX10҈و/إ10زvو/إ1hزو11ڲP҈eHX10Pزvو1ګ1زhزوګ1زv1ٙXڱ1؈ز/HX1ڈ҈eٙXڱ10҈و/إ1ڈزvٙXګ1ڲPزvو/HϝPزٙXڱ10زٙXե1؈҈ٙXּ1؈҈eٙXڱ1hزٙXث1ززvNو/ګ1ڈزvNٙXtϝP҈و/ڱ1ڲ҈eٙXե10҈eوګ1ڲP҈وث1ڈhزvٙXի1ڲHvHو1ر10҈eو/ر1҈و11ڲ҈eHX1ڲ҈e/ٙX1hزو/إ1ڈزvو1ث1vHWXE/sP؈XsŝsAhZh3XNvAh0eNHvdPX2tedWsZڪdAhZh3XdeA/0eHHvBPȲd/X/dX/NZse刾/EhZh3X֫sddANX/He嫝B1ڈ҈eٙXڱ1ڲڲh0ڲ҈ؼٙX/ر1҈ؼٙXڱ10҈ٙXե10ڈ҈و1˫زeوڪ/NZh2/ڈBXE/Vh3˜XE/hdؾX֫Wd2dEt/vEщ12ՉeB1ز/ٙXNإ1eHvd/NZEP/2tBXPteEW2dEt/dAhZh3XBA/֫HHeP2eEtٖ2eBdEdBتvVvXW/vXتd/NZtN־/в0BXPhNPX1ڲزٙXN/AhZh3X٫2t0XAȾH˫sBXE/PXNv֜ZXW232NBvW/BBXWHEh/seXE/ձ/˝щ1ȱsEHes˝eXՉEhd/s/X1ZˈBXWHNѪHEHɼsvXhXXՉE/XhϜXE/ձ/˝Z1ZXhB֥XWBڪHvVhhZūѼWBZBڪH3WXWBXϜXE/ձ/˝Z1ZXhhZū/stXNљXWBڪHvٝXEZvWvWՉsɥWv֖׫ڱeֱe/ϝ/heXWڪXW/B1Z˝BtٜNPdePNXsPZ֥Xd奜ٖ奝BZ/ٱsPE幥t3XHvNhPϜїsՉ/BѪA